About
Received Master’s degree in Information Design from the Design Academy Eindhoven (DAE) in 2018.
Ishtar Hsu’s works are mostly unconscious material destruction, paint splashing, cut-and-paste recombination, or image distortion through re-photographing. The seemingly ridiculous behavior is, in fact, the form of self-questioning and self-answering for her to constantly challenge the traditional framework of aesthetics. Insisting on not deliberately setting up a still life, she encounters all things and objects in her life with the simplest thought. Day after day, she honestly asks questions with her eyes, shots with a subconscious mind, cuts the photos, or sticks her fingers inside the body of the objects photographed. The mobile phone and the scanner are Ishtar Hsu’s sketching pens. Instagram was initially used as a sketchbook collection practice. At present, Ishtar is a freelance graphic designer and a visual artist, swinging between 3-D objects and 2-D images with various medias.
2018年畢業於Design Academy Eindhoven Master of Information Design
Ishtar Hsu的作品多為無意識的材料破壞、顏料潑灑、黏貼重組或再次翻拍致圖像扭曲變形,看似荒謬的行為,卻是不斷揣度美學框架的自問自答,她堅持不刻意擺設靜物,抱持單純的心情面對生活中所能遇到的物件,日復一日,誠實地以雙眼提問,下意識拍攝、剪開照片或伸出指頭戳入被拍攝體內。他拍攝靜物,也製作靜物,不斷往返實體物件和平面影像中。
Ishtar Hsu’s works are mostly unconscious material destruction, paint splashing, cut-and-paste recombination, or image distortion through re-photographing. The seemingly ridiculous behavior is, in fact, the form of self-questioning and self-answering for her to constantly challenge the traditional framework of aesthetics. Insisting on not deliberately setting up a still life, she encounters all things and objects in her life with the simplest thought. Day after day, she honestly asks questions with her eyes, shots with a subconscious mind, cuts the photos, or sticks her fingers inside the body of the objects photographed. The mobile phone and the scanner are Ishtar Hsu’s sketching pens. Instagram was initially used as a sketchbook collection practice. At present, Ishtar is a freelance graphic designer and a visual artist, swinging between 3-D objects and 2-D images with various medias.
2018年畢業於Design Academy Eindhoven Master of Information Design
Ishtar Hsu的作品多為無意識的材料破壞、顏料潑灑、黏貼重組或再次翻拍致圖像扭曲變形,看似荒謬的行為,卻是不斷揣度美學框架的自問自答,她堅持不刻意擺設靜物,抱持單純的心情面對生活中所能遇到的物件,日復一日,誠實地以雙眼提問,下意識拍攝、剪開照片或伸出指頭戳入被拍攝體內。他拍攝靜物,也製作靜物,不斷往返實體物件和平面影像中。
Exhibitions
2022
《 Boy, boy, fruit—2022 Ishtar Hsu Solo Exhibition 》
@ Taipei Artist Village, Taipei, Taiwan
Decent Silence feat. 《 StiLLLife: Practice 006 》 "Inter-(Being)", Pei-Ying LIN Solo Exhibition @ Contemporary Culture Lab, Taipei, Taiwan
2020
熊拍姐 - 柔軟的序列主義 feat. 《 StiLLLife: Practice 005 》
@ 鬼咖啡 Gui Café, Tainan, Taiwan
《 StiLLLife Collection009 》&《 StiLLLife: Practice 002 》
@ 朋丁 Pon Ding, Taipei, Taiwan
《 StiLLLife: Practice 005 》
International Video Art Festival «Now&After» @ MMOMA, Moscow, Russia
《 StiLLLife: Practice 005 》
2020 福吉路n年展 La Niennale di Fuji Rd. @ Planett, Tainan, Taiwan
《 StiLLLife: The Language I Don't Know 》
2020 Ishtar Hsu 許韋晨 Solo Exhibition @ 水谷藝術 Waley Art, Taipei, Taiwan
2019
《 StiLLLife: The Language I Don't Know 》
@ 2019 TIFF PHOTO GO 台南國際攝影節 攝影上桌, Tainan, Taiwan
《 StiLLLife no.00? 》&《 StiLLLife Collection 001 》
フォーム 發大橘 @ 2019 草率季 Taipei Art Book Fair &mesh up 網起來, Taipei, Taiwan
《 Weather Report 》
海桐藝術中心 @ 台灣當代一年展 Taiwan Annual, Taipei, Taiwan
《 Weather Report 》Wall Painting
Library in Library 圕中圖書館 / 森雨書房 @ Taipei Public Library Qi Ming Branch, Taipei, Taiwan
《 Weather Report 》
Tracing Borders Joint Exhibition @ Temporary Art Center, Eindhoven, The Netherlands
Worshops
2020
《 NG Book—WE WANT THE COLORFUL LAND 》
@ Cultural Affairs Bureau, Hsinchu, Taiwan